Gratis Bücher Horror Films of the 1980s, by John Kenneth Muir

Mei 03, 2011 0 Comments

Gratis Bücher Horror Films of the 1980s, by John Kenneth Muir

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Horror Films of the 1980s, by John Kenneth Muir

Horror Films of the 1980s, by John Kenneth Muir


Horror Films of the 1980s, by John Kenneth Muir


Gratis Bücher Horror Films of the 1980s, by John Kenneth Muir

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Horror Films of the 1980s, by John Kenneth Muir

Pressestimmen

"writing is clear, with a personal but expert tone...useful information and enjoyable commentary...recommended"--Booklist; "fans of the horror genre are sure to find something to scream about. Muir again plunges into the dark...appropriate to the so-called era of greed, he has this time added more of everything: films, background, appendices, and critical analyses...ample, witty, well-versed entries...highly recommended"--Library Journal; "have no fear. Muir reveals all...readable and entertaining...this tremendous tome of terror is the quintessential concordance to the films of the dead teenager decade...Muir opts for comprehensiveness...Muir's genius lies in his giving context to the films. Muir has carved out a niche for himself with this kind of reference work...recommended"--Choice; "comprehensive...insightful"--C&RL News; "one of the finest horror reference books I've ever read"--City Slab; "he did it again...Muir is back and better than ever"--NVF Magazine; "readers will be pleased by the attention to detail that is lavished on each of the 325 films included...a far more thorough approach to the material and his dedication creates a definitive reference book...recommend"--Horrortalk.com.

Klappentext

John Kenneth Muir is back! His Horror Films of the 1970s was named an Outstanding Reference Book by the American Library Association, and likewise a Booklist Editors' Choice. This time, Muir surveys 300 films from the 1980s. From backwards psychos (Just Before Dawn) and yuppie-baiting giant rats (Of Unknown Origin), to horror franchises like Friday the 13th and Hellraiser, as well as nearly forgotten obscurities such as The Children and The Boogens, Muir is our informative guide through 10 macabre years of silver screen terrors. Muir introduces the scope of the decade's horrors, and offers a history drawing parallels between current events and the nightmares unfolding on cinema screens. Each of the 300 films is discussed with detailed credits, a brief synopsis, a critical commentary, and where applicable, notes on the film's legacy beyond the 80s. Also included is the author's ranking of the 15 best horror films of the 80s.

Alle Produktbeschreibungen

Produktinformation

Taschenbuch: 843 Seiten

Verlag: McFarland; Auflage: Reprint (15. Dezember 2012)

Sprache: Englisch

ISBN-10: 0786472987

ISBN-13: 978-0786472987

Größe und/oder Gewicht:

17,1 x 5,1 x 24,8 cm

Durchschnittliche Kundenbewertung:

Schreiben Sie die erste Bewertung

Amazon Bestseller-Rang:

Nr. 304.574 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

John Kenneth Muir’s exhaustive history of 1980s horror is fascinating trip through the decade that gave us slashers, retro obsessive cinema, and horrifying allegories. Muir views the genre as a response to the social and political climates that shaped them, and horror at its best sheds a light on reality. The real life horrors of the 1980s were manifold: nuclear warfare, the AIDS epidemic and the subsequent sexual panic, out of control consumption, and the oldest fear of all: the monsters within all of us.Muir often returns to “Don’t Worry, Be Happy” and “Be Afraid, Be Very Afraid” mantra as the defining characteristic of the 1980s. President Reagan made grand promises and waxed eloquently on the majesty of the American experiment, while at the same decimated the working class through tax cuts and Union busting, presided over the selling of arms for hostages, and talked a tad too freely about nuclear holocaust being God’s Will. Wes Craven’s unforgettable creation Freddy Kruger (played with gusto by Robert Englund) attacked teenagers in their dreams, just as Reagan infiltrated the subconscious of America with bright visions of city’s on the hill. The decade’s aversion to reality manifested itself in a shabby pop culture of MTV stars and fake moralistic/successful people on television (Bill Cosby being a prime example). But horror movies at their best shined a light through the facade of a schizoid culture.The ironic element is how tame the 1980s look now in comparison to today. I was born in 1979 so those years were my childhood. Memories of He-Man guys, Diff’rent Strokes, The Muppet Show, Return of the Jedi, Hulk-a-Mania, Late Night With David Letterman, foment waves of nostalgia. Hell, even thoughts of Reagan taking the podium conjure images of continuity and dare I say statesmanship. Elitists wrote screeds against the new gilded age culture that grew trashier with each year, yet at the same time there’s self-assurance to the decade that resonates.Video stores and video arcades were meccas of pop culture bliss outs, a far different experience from doing an Amazon Prime search. One of the decades best genre films from 1984 Night of the Comet celebrated consumerism and apocalyptic culture with a subtle irony, honesty, and a distinct irreverence that leapfrogged over the rest. Nightmares are always around the corner, but why not try to have a good time anyway?Reading over the 300+ reviews, there's sense of diminishing returns as the decade unfolds. The early years were riding the wave of the explosive 1970s. The horror genre reached an apogee during the early years of the decade, an indicator of a changing culture. Slashers became the most popular subgenre, one where the tropes became a kabuki play. May autuers emerged, the trend setters of the 1970s like Wes Craven, John Carpenter, and Tobe Hooper continued to raise the standards of the genre. New comers Sam Raimi, Tom Holland, and James Cameron expanded the possibilities of horror. One hit wonders are legion.Muir applies the closest analysis to even to the most oppressive of clunkers, usually finding some element to praise. Even for the mediocre movies, and most of these are average, John gives you a reason to check them out. Some of these films are widely available and are regularly aired on cable television or are available to stream. But many of them are not. There are many hidden diamonds in this book that deserve a wider audience: Obscurities such as Alone in the Dark, Q: The Winged Serpent, The Stuff, The Entity, and many others.Horror fans will have much to savor with these volumes. For those looking for an iconoclastic look at the 1980s without the tired genre of Reagan hagiography, Horror Films of the 1980s will illuminate how movies are not only entertaining and an invaluable source of escapism, but an educational journey into the subconscious.

John Kenneth Muir's second entry into the horror genre hits the mark again. "Horror Films of the 1980s" provides a fantastic reference guide for the horror films made in the decade of excess.At over 800 pages long, the book provides an introduction to the films of the decade and how social and political events influenced them. (Muir is obviously no fan of Reagan and on one page he has a photo of the former president along side a photo of Freddy Krueger making a not so subtle comparison of the two). The next chapter is "The History of the Dead Teenager Decade." in which he explains common devices and elements which make up the bulk of films of the era. Muir then goes into the films themselves......breaking them down by year. He provides critical reviews, cast and crew lists, a brief synopsis of the plot and then a personal commentary of his own views of each film. Some films also have a "close-up" section where additional information about cast/crew/film is given. From here, Muir gives a chapter on "The Conclusion to Horror Films of the 80s." Also provided are several appendixes including information such as memorable ad lines, Hall of fame, a list of actors appearing in these films and recommended viewing.Overall, a great book. Muir even improves on his "Horror Films of the 1970s" (which I also have) by providing in-depth commentary and info on ALL of the films listed. The 1970s tomb has some films only briefly mentioned with no commentary at all by the author. And thanks to Netflix, I can check out most of the films from both decades for myself. Muir also mentions in his book that he's working on a third edition....Horror Films of the 1990s. I'll be first in line to buy it!

Totally amazing.All the minor details to improve from the first set, are corrected here:Shorter reviews, great trivia, the words of someone who knows his stuffAt first I fear a complete "slasher" beatdown (A personal genre favourite) but all the author's opinions are founded.A really entertaining and fascinanting reading, the whole political panorama, it left me speechless.This book series deserve to be on the Smithsonian.

This book is amazing. It is the kind of tome those of us who are die-hard movie fans dream of putting together and never do. Muir is a great writer and he blends a deep and objective understanding of the many streams of the 1980s horror genre with reviews that examine aspects of films you may not have considered. From detailed analysis of direction, storylines and acting Muir often discusses how films may have served as mirrors or rejections of the perceived cultural norms of the day. His analysis is often incredibly detailed and written in a manner that keeps it very interesting. This book is more expensive than many other publications that review either movies or the horror genre specifically, but I have yet to see anything that dissects that decade and that genre of cinema like this work by Muir. His two-volume set on the 1970s is likewise extremely insightful, but this is my favorite. Highly recommended.

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Some say he’s half man half fish, others say he’s more of a seventy/thirty split. Either way he’s a fishy bastard.

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